EA300B: MORTAL ENGINES REDAER 2 ESSAYS





READER 2// Future Worlds : Philip Reeve, Mortal Engines (2001)

INTRIDUCTION P:373-374
·       Mortal Engines finds a place here as an example of modern science-fantasy fiction for children.
·       Reeve's work is as an invok­ing a dystopian the future.
·       Reeve's exercise in dystopia imagines eco-catastrophe and resultant global warfare, a world destroyed by the greed of capitalism and blighted by the urban.
·       It features twinned protagonists, Tom Natsworthy and Hester Shaw, who live in a law­less post-apocalyptic world inhabited by roving cities which predate up each other in a blasted landscape.
·       Mortal Engines is notable for its elegiac casting of historians as unlikely heroes against engineers and scientists who, as a body, represent the mistakes of both the past and the present; and it is also notable for its unusually dark sensibility, killing off a high percentage of those characters who would in children's fiction conventionally survive into a happy ending.
·       Like The Other Side of Truth, Mortal Engines thus has a strongly foregrounded political agenda; and like them, too, it places faith in the resilience and uncorruptedness of children.








Carnivalizing the Future: Mortal Engines
Kay Sambell
P374-386

Kay Sambell considers the history of children's science fiction and dystopian fiction with special reference to Mortal Engines. She argues that Reeve establishes new possibilities for children's science fiction by endorsing a new form of comic child-heroism which at once critiques adult incompetence and allows for the hope of survival and regeneration.
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·       Science fiction is dominated by authorial fears about: violent/inhuman social political worlds young people seem likely to inherit.
·       Post-apocalyptic depicting horrifying visions of hostile societies that are shockingly indifferent to injustice, oppression, persecution and the suffering of masses.
·       The future is typically represented as a terrifying nightmare that child readers must strive to avoid at all costs. The authors pull no punches in depicting bru­tally enforced inequality, horrifying violence and the systematic dismantling of individual rights in their future worlds.
·       Dystopia form for children is used to make serious and daunting comment on where we are really going as a society. Its primary purpose is to puncture old myths and dreams, by proving, in the form of a literary experiment, what human aspirations and ideals are really likely to mean for the future of mankind.
 
 
 
 

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