A230B : INTRODUTION PART2



Introduction to Part 2

YOU will be introducing to: 

 Some of the main Victorian ideas about home and abroad BY studying three fictional accounts from the period.
·        Chapters 5 and 6 concentrate on Emily Bronte's haunting domestic novel, Wuthering Heights (1847)
·        Chapter 7 focuses on Arthur Conan Doyle's detective story The Sign of Four (1890) and, finally
·        Chapter 8 considers Robert Louis Stevenson's South Pacific tale 'The Beach of Falesa' (1892-3).

You will notice how important the idea of home is to them:
-         In Bronte's novel, set on the Yorkshire moors, the narrative is intertwined with the histories of two houses — Thrushcross Grange and Wuthering Heights.
-         In Doyle's The Sign of Four, the narrative begins and ends in that most famous (and most fictitious) of London addresses, Holmes's bachelor pad at 221B Baker Street, while the majority of crimes in the story take place inside people's homes.
-         Further developing the idea of home, 'The Beach of Falesa' is about a British trader living abroad rather than at home, who marries and then setdes in a tabooed house in the Pacific; it was written by Scotland's most celebrated emigrant writer soon after he himself had set up home in Samoa.

·        All three works were written for a domestic readership, and yet all engage in varying ways with the wider world outside Britain.
·        Reading was not just the most popular domestic pastime of the Victorians; it was also the means by which news about the wider world, often contained in fiction, was brought into their homes.
·        For the Victorians in an age of empire and mass literacy, home and abroad were not always easily separated.

At home with the Victorians
Views about home:
**** A safe, comfortable and righteous home became the most important and desirable expression of British Victorian morality and middle-class respectability

**** A safe, comfortable and righteous home became the most important and desirable expression of British Victorian morality and middle-class respectability.

1)    Ruskin:

·        Ruskin set out his idea of the proper duties of men and women inside the home.

·         For Ruskin, the role of women was to be homemakers and helpmates to their husbands, who would return from work to be comforted within a loving domestic environment.

·        The 'true nature of home', Ruskin asserted, was as a 'place of Peace; the shelter, not only from all injury, but from all terror, doubt and division' (1865, p. 148). Women should devote themselves to the domestic sphere and make it their sacred duty, he declared, arguing that their social role was inseparable from their sex: 'wherever a true wife comes, this home is always around her' (p. 149).

 

2)    Coventry Patmore:

·        He crystallised Victorian ideas about domesticity in his poem The Angel in the House (1863), in which he created a potent archetype of Victorian womanhood: pure, chaste, devoted to her husband, and sympathetic.

 

3)     Isabella Beeton

·        Her book taught generations of women to run their homes efficiently: 'there is no more fruitful source of family discontent than a housewife's badly cooked dinners and untidy ways'

 

 

 

-         Like many Victorians, Ruskin, Patmore and Beeton celebrated the cultivation of the home as morally good, and argued for the central role of women as its custodians.

 

-         While the Victorians conceived of home as a refuge from the rigour, uncertainty, anxiety and potential violence of the outside world, it could not be an absolutely secure environment.

 

-          Despite the strong sense of social and sexual propriety, not everything was as it seemed within the Victorian home, especially in London, where high ideals about the perfect home often clashed with the new realities of urban life: violence, prostitution, drug addiction and rampant crime, to name a few. Often these threats could not be kept out of the family home; as Doyle's detective fiction demonstrates, domestic space could also double as the scene of the crime.

The Victorians and abroad

For all their love of domestic comfort, and their sentimental idealisation of the perfect home, the Victorians lived in a rapidly changing industrial world. The prosperity that paid for middle-class comfort was the result of an expanding and profitable overseas trading empire, with India at its centre. While the 'business of the Empire', as the critic Patrick Brantlinger observes, 'seemed to be everyone's business ... tea, sugar, spices, cotton, opium, wool, gold, rubber and many other commodities arrived at British ports on a daily basis' (2009, p. 3).

The Victorian period was one of imperial expansion abroad and social upheaval at home. Millions left Britain's shores to trade, fight in wars, administer a new empire or setde in other countries. With industrialisation forcing down the cost of labour, many emigrated from economic necessity.

While the majority of Britain's emigrants intended to return, many never did and, for them, the gap between their new location and their old emotional home became unbridgeable. Overseas commerce meant that the majority of Britons at home in this period (despite imperial expansion most Britons did stay at home) would have had some awareness of the relevance of British imperialism to their lives.

Sometimes the effects of abroad upon home were plainly visible, for example through the presence of people from the colonies visiting or residing in Britain. As the world's largest city in the nineteenth century, and capital of the biggest overseas trading empire, London "was a cosmopolitan, multiracial city. Freed African slaves, itinerant Indian peddlers, traders and students, Chinese dock workers — all could be seen on London's streets and are described in vivid detail by writers such as Doyle.

Reading about abroad at home

*** The Victorian age saw a great rise in reading, and Britain became a literate society by the end of the nineteenth century. Many Britons never travelled abroad, but after the Education Act of 1870 almost all could read with some proficiency.

Britain's most important imperial possession, India, was often romanticised for readers at home.

The empire was a mirror in which the British saw themselves as they wanted to be seen: powerful, resourceful, enterprising, hard-working, virtuous, Christian, bringers of progress, civilization and emancipation.

-          {The Sign of Four and 'The Beach of Falesa'}

YOU will explore: how some of these certainties about home and abroad changed during the Victorian period.

Reading was the most important cultural activity for the Victorians and, more than anything else, the act of reading shaped views about home and abroad in this period.

 

The activity of reading is an important context for Victorian fiction. Readers bring their own experiences, values and expectations to any literary text they encounter; it makes sense, then, that as values and assumptions change, so, too, do responses to works of literature.

 In the chapters on Wuthering Heights: we will explore the critical reception of the novel both by Bronte's contemporaries and by more recent literary critics with a view to revealing die changing ways in which a literary text is interpreted over time.

In the chapters that follow, we will examine the ways in which different genres — as well as different forms of publication — of prose fiction create certain expectations in readers which are sometimes fulfilled and sometimes frustrated.


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